HomeMy WebLinkAbout2019-08-13_Bon Ton Historical District WSFotm 140(lDa - _- dUO Apprvrtl No. lUN OO+f
United States Department of the Interior -
National Park Service
7) National Register of Historic Places
Continuation Sheet
Bon Ton Historic District
Section number —A— Page 2 24 954
Historic Name: Bon Ton Historic District
Common Name: S. Third - S. Grand - S. Willson Historic District
Location: 200--1000 blocks of S. Third Avenue, S. Grand Avenue and S.
Willson Avenue, 100-500 blocks of W. Cleveland Street.
Bozeman, Montana (030)
Gallatin County (031) a5 Fj� G Ja,J�
Classification: Historic district aS
private ownership
public acquisition: n/a t
occupied - --
restricted access
residential use
Ownership: multiple -
Location of Legal Description: Gallatin County Courthouse, Main St. , Bozeman, MT
Representation in Existing Surveys: Historic Resource Survey of Bozeman,
Montana, 1982-1986, sponsored by the Bozeman City-County Planning Office.
Depository of Survey Records: Montana State Historic Preservation Office
102 Broadway, Helena, MT.
PHYSICAL DESCRIPTION: Bon Ton Historic District
Contributing buildings: 190
'Non-contributing buildings: 39
Bozeman's finest examples of historic residential architecture, spanning from the
early 1 880`s to the mid-1930's, constitute the bulk of the 228 buildings in the
Bon Ton Historic District. The brick and frame houses of the district line three
long, north-south running streets, S. Third Avenue, S. Grand Avenue, and S. -
Willson Avenue, and the east-west running W. Cleveland Street at the southern
end. The Italianate, Queen Anne, Colonial Revival, Bungalow, and other styles
are well represented in the district. Many houses display towers, wrap-around
porches, and elaborate ornamentation in brick and wood.
In 1935, elegant concrete lamp posts were installed lining both S. Willson
.Avenue, a major thoroughfare through town which is wider than the others, and W.
Cleveland Street, the location of many fine Depression-period houses. These lamp
} posts help to establish the southern and eastern borders of the district. To the
J south of the district are several blocks of predominantly non-contributing, post-
.. World War II houses, while to the east is the South Tracy - South Black Historic `
District. S. Fourth Avenue, an unpaved alley, forms a clear boundary between
-United States Department of the Interior "
-National Park Service
National Register of Historic Places
Continuation Sheet _-
Bon Ton Historic District
Section number 8 Page 25 - _ _
this district and the Cooper Park Historic District to the west. North of the
district is a cluster of churches, most of which are individually eligible for
listing in the National Register and which represent many of Bozeman's
denominations. North of the churches is the Main Street Historic District.
While the most pretentious houses in this district represent the closest
manifestations of true high style design found in Bozeman, only one, the T. Byron
Story House (811 S. Willson) , ranks among the most elaborate historic houses in
Montana. That house, along with the full block of open space upon which it
stands, creates a focal point for the southern section of the district.
The buildings of highest architectural significance have genlrally remained very
well preserved and predominate in the district. While the T. Byron Story House,
its lot, and the fine houses that surround it form a focal point much like Cooper
Park does in the Cooper Park Historic District, a group of four houses at the
corners of the intersection of S. Grand Avenue and W. Story Street form another
focal point by virtue of their sheer size and architectural significance. The
smallest of the four, the brick, 1-story vernacular Queen Anne style Frank
Alderson House (470 S. Grand) , relates to the intersection with a cylindrical
corner tower. The other three, the Martin House (419 S. Grand) , the Lamme House
(501 S. Grand) , and the Kopp House (502 S. Grand) , all combine elements of the
Queen Anne and Colonial Revival styles, and are among the most notable examples
of Bozeman architecture.
Other outstanding examples of styles related to both the Queen Anne and Colonial
Revival that are comparable to these in size and degree of ornamentation include
the Senepe House (201 S. Third) , remodeled to the Queen Anne style in about 1 898,
the unique Tudor Revival style Tudor House (805 S. Third) , the Queen
Anne/Colonial Revival style Fisher House (209 S. Grand) , the Queen Anne style
Mendenhall House (521 S. Willson) , the Queen Anne/Stick style Davidson House (604
S. Willson) , and the Colonial Revival style King House (725 S. Willson) , which is
dominated by a dramatic wrap-around porch and balcony.
Few houses of comparable significance date from the period preceding these styles
in the district. Two of them, the Armstrong House (319 S. Willson) and the -
Flanders House (219 S. Grand) , are fine examples in brick of the Italianate
style, and display the hallmark of the style - bracketed cornices.
A great diversity of houses were built in the early 20th century (up to the mid-
1930's) , following the complete demise of the influence of the Queen Anne style.
The most notable are invariably the work of local architect Fred F. Willson. The
Spanish Colonial Revival (Mission) style Burr Fisher House (712 S. Willson) , is
certainly one of the most unusual from this period, and includes hallmarks of the
style such as white stucco walls, a recessed, arcaded porch cut from the wall
surface, a flared hip roof, and a shaped headed bay. Equally unusual is the Graf `.
House (504 W. Cleveland) , based in concept on the great chateaux of Europe, but
United States Department of the Interior _ _. _-- ----. - 9q C�p R 54__
National Park Service
National Register of Historic Places
Continuation Sheet
Bon Ton Historic District
Section number 8 Page —27
lacking in grandeur. It incorporates a swimming pool, in the back, hidden by
solid garden walls that project from the house itself. The best example of the
Georgian Revival style, a branch of the Colonial Revival style, is the lavish
Blair House (415 S. Willson) , while the Mendenhall House (520 S. Grand) is a fine
representative of the several gambrel roofed forms of the Colonial Revival style
found in the district. of the numerous examples of the Bungalow style, the well-
ornamented Cobleigh House (909 S. Third) is among the most notable. Two
excellent examples of typical pattern book houses types which were built in large
numbers throughout the country during this period are the "American Four Square"
Armstrong House (509 S. Third) and the gable front Atkinson house (915 S. Third) .
The chaste, cubic masses of the international style Browning House (412 W.
Cleveland) - the antithesis of the Colonial Revival, Bungalot , and eclectic
styles that preceded it -- is unique in the district.
While this district is most notable for the elaborate historic houses that ..
predominate, it is also made up in large part of less elaborate examples of
vernacular architecture. Many of these however, were built at greater expense
than most of the comparable vernacular houses found in the other residential
historic districts in the city, The M.P. Davidson House (809 S. Third) , for
example, a simple, vernacular Queen Anne/Colonial Revival style house, has corner
pilasters defining all edges, while a similar house in the Cooper Park Historic
District would more likely have unornamented corner boards. Other simple
vernacular houses of above average significance due to ornament or unique
characteristics of design are the Noble House (311 S. Third) , a typical turn of
the century pattern book house, the Colonial Revival style Williams House (309 S.
Third) , which has a brick first floor, gambrel roof and substantial ornament, and
the Bungalow style Brown House (515 S. Grand) , notable for its unique aesthetic
qualities.
Because of this combination of both vernacular architecture, which is similar to
that found elsewhere in the city, and high style architecture, which is found
nowhere else in the city, the Bon Ton Historic District possesses a character
that is unique, but that is nevertheless consistent with the character of the two
bordering historic districts, The Bon Ton Historic District is therefore the
centerpiece of a vast historic, residential area in Bozeman.
In general, alteration and, too a lesser degree, infill,' have taken a toll on the
historic integrity of the district. The 200, 400 and 700 blocks on S. Third
Avenue, and the 800 block on S. Grand Avenue, contain a number of non-
contributing buildings. The majority of the buildings judged to be non-
contributing are historic structures that have suffered from replacement siding,
windows, or porches. Gaps in the historic integrity along S. Willson Avenue are
the result not of alteration but rather of few very large non-contributing
buildings erected within the past 25 years. They are the Artemus Apartments (302
S. Willson) , the Cory Apartments, (4177423 S. Willson) , and the Sigma Chi `
Fraternity (722 S. Willson) ,
HFS faro 10 WIr• _ %�N Avt nr No r .
--United States Department of the Interior
National Park Service a74 G A R 15(�
National Register of Historic Places
Continuation Sheet
Bon Ton Historic District
Section number 8 Page 28
STATEMENT OF SIGNIFICANCE: Bon Ton Historic District
Period of Significance: 1880 - 1937
Areas of Significance: Architecture, Comity planning, Settlement
The centerpiece of a vast historic residential area, the Bon Ton Historic
District contains much of Bozeman's most significant residential architecture.
Considered the prestigious area in which to live between the 1880's and the mid-
1930's (the period of significance) and still one of them today, the district
reflects the tastes and aspirations of the past economic movers of the city -- the
presidents and managers of most businesses, and many of the doctors, dentists,
lawyers, and college faculty who formed an ever-expanding professional class.
William W. Alderson, one of Bozeman's original six settlers, was alloted much of
the land south of what would become Main Street probably on August 9, 1864, at a
meeting of the Upper East Gallatin Claim Association, for which he was elected
secretary. Eight years later, during a brief period of prosperity and building
in early Bozeman, Alderson optimistically platted Alderson's Addition - nine
square blocks which encompass much of the northern part of the district.
Construction in this addition, however, would have to await the more substantial
economic boost brought on by the arrival of the Northern Pacific Railroad in
1883.
Development previous to 1 883 had primarily occurred east of Tracy Avenue, which
is east of the Bon Ton Historic District, in scattered areas both north and south
of Main Street. These houses of the city's pre-railroad period were quite
modest, reflecting Bozeman's tenuous role in the 1860's and 1870's as a center of
trade and supply for Gallatin Valley farmers and ranchers, western gold mines,
and nearby military posts. In 1883 however, with the railroad promising
unimpeded access to vast markets, ambitious construction began to shape South
Central Avenue (today S. Willson Avenue) , which was the first of the three
primary streets in the district to develop.
Accompanying this new generation of construction came ambitious plats adjacent to
Alderson's Addition, In 1883, the year of both the railroad arrival and city
incorporation, Alderson added the Fairview Addition to the south of his previous
addition. The Fairview Addition is 'composed of twelve square blocks, which
include most of the present district not included in Alderson's Addition, down to
College Street. To the west, Nelson Story, John S. Dickerson, and Walter Cooper
platted Park Addition in the same year - a vast area which includes the west side
of S. Third Avenue (included in the district) as far south as College Street.
Like Alderson's Addition of 1872, the Park Addition reflects the inflated
optimism of early Bozeman founders. Significant development of that area did not
get underway until the next period of economic expansion in Bozeman, which
occurred after the turn of the century.
NP%ram t0 WoA -
•i�l Av®Aypre..r ne io:.ur 1e
United States Department of the Interior
National Park Service
National Register of Historic Places
Continuation Sheet
Bon Ton Historic District
Section number 8 Page 29
Alderson had made South Central Avenue, which traverses both of his additions,
especially wide - eighty feet as specified on the original plats, which is twenty
feet wider than the other streets - intending it to become the city's most
fashionable residential street. This it did, and by 1907, a real estate
advertisement is the Bozeman Chroic referred to "South Central, the swell
residential street of Bozeman. "
In addition to new Bozeman immigrants who built on the street in the early
1880's, established, prominent citizens began to migrate from their previous
residences that were north of Main Street to this newly fashionable area. The
Weekly CoUU ier in 1883 acknowledged the beginning of such a migration when it
noted:
r
"Matt W. Alderson and Frank Armstrong are now nicely settled in their
new residences on Central Ave. and can enjoy the luxury of contrastigg
their lots with the less fortunate mortals who have not yet moved. "
Frank K. Armstrong, a lawyer, built a refined, spacious, hip roofed, Italianate
style house of brick in 1883, which still stands at 319 S. Willson Avenue. Matt
W. Alderson, William W. Alderson's son, erected the smaller but also impressive
brick, Italianate style house at 307 S. Willson Avenue in the same year (later
remodeled to the Colonial Revival style from the second floor up) .
Although Alderson and Armstrong built two of the most notable of S. Willson
Avenue's earliest houses, they were soon joined by others. Matt Alderson, in his
1883 walking tour of Bozeman, noted that on South Central Ave. there were
':several residences in the course of construction. " Of the numerous houses on
S. Willson today that were built within five years of the arrival of the railroad
(1883-1888) , several., including Matt Alderson's, remain among the most
significant historic houses in the city. They must have made an especially
strong impression at the time they were built, since Bozeman was then merely a
sparsely built up, newly incorporated, and quite isolated city.
Since the burgeoning city had no architects of its own, the Butte firm of
Vreeland & Kemna was called upon to design several prominent brick buildings in
the city during the early 1880's, the High Victorian Gothic style Palace Saloon
(133 East Main) being the only one remaining today. In 1884, Fred A. Fielding
took advantage of the firm's presence and had Byron Vreeland design an unusual,
l LQZ= Chx2a1c1&► June 6► 1906
2 W22-t1Y CQUriPr, November 1, 1883, p. 3
t
3 Matt W. Alderson, Boamaan: A Guide to „It,s Places of Recreation, 1883, p.3
NPS Farm IDYd0.4 - -
�e�Dp'Ov.vHo f0,7.411/
.United States Department of the interior - _
National Park Service
National Register of Historic Places
Continuation Sheet
Son Ton Historic District
Section number a Page - 30
two-story, wood frame, Colonial Revival style house for him on South Central Ave.
(420 S. Willson) - possibly the first architect-designed house, and the first
example of the style, in the city. The adjacent house was built two years later
by General Lester S. Willson, Fielding's partner in the Willson Co. mercantile
firm (see 101 East Main) , and appears to be the work of the same architect. The
Willson House is a more typical example of the Colonial Revival style than
Fielding's and may have been a tribute to the architecture of his native New
York.
Another of the more pretentious houses from this period is the one built in 1886
by John S. Mendenhall, a partner in the A. Lame Co. mercantile firm. The
exuberant, frame, Queen Anne style house (521 S. Willson) wars built according to
specifications furnished by D.S. Hopkins, an architect located in Grand Rapids,
Michigan, who provided mail-order plans. The smaller but no less ornate, brick,
Queen Anne style cottage built for dentist William A. Tudor (613 S. Willson) is
also very likely the work of a local builder, and was possibly influenced by a
pattern book design.
Of the numerous more modest houses on S. Willson Avenue built in 1883, the most significant are 201, 311, 316, and 401 South Willson - a diverse array of
Italianate and Queen Anne style residences built predominantly by merchants of
various sorts. Of these, the Italianate style 401 S. Willson is an excellent
example of the sidehall plan house type.
Reflecting the preferential development of this street, the Avant Courier noted
as early as 1884 tha' "Central Avenue is developing into a Bon Ton residential
street in Bozeman. " This period expression, which refers to "the finest, " is
an appropriate title for the historic district as a whole, sine by the turn of
the century residential development of the highest caliber found in Bozeman had
extended to S. Grand and S. Third Avenues as well. Indeed, the fine brick,
Italianate style house erected by George Flanders in 1888 at 219 S. Grand Avenue,
and the more formal, Italianate "Palazzo" built in 1883 by Frank L. Benepe at 201
S. Third Avenue (remodeled about 1898 to the Queen Anne style) were two
precursors for the prestigious neighborhood's future expansion. The latter was -
probably the first structure built in the Park Addition. - -
Following the initial surge of economic growth in the early 1880's, construction
throughout the city subsided, and few new houses went up in the district until
the turn of the century. The two notable exceptions however, the brick Martin
House (419 S. Grand) and the frame Lamm House (501 S. Grand) , coincide with the
construction of several monumental brick buildings elsewhere in the city, which
were probably associated with Bozeman's lobbying effort in the early 1890's to
win the designation of state capital.
1 -
4 CQULi2L, April 24, 1884► p. 3 -
NPS JCWM 10-906� 0"8 Appra..f Ho 1024 W IS
(�1
United States Department of the Interior
National Park Service
- . - .National Register of Historic Places
Continuation Sheet
Bon Ton Historic District
Section number 8 Page 31
The Capital Hill Addition, aptly named, was platted in 1890 in connection with
this effort to gain state capital status for the city. This addition now
encompasses the southern portion of the district. The addition included several
streets named after U.S. presidents, such as Harrison and Cleveland Streets, and
a broad boulevard, today S. Eighth Avenue, which ascends a slight hill and was
intended: to terminate with the capitol dome. It was hoped that this addition,
along with the new monumental buildings, would make the city appear ready to
accept the capitol complex, and would impress Montana voters enough to win the
special election on the issue in 1892.
Although Bozeman lost its capital bid, it gained, in 1893, the Montana State
College of Agriculture and Mechanical Arts, an institution that would later have
a significant impact on the development of the district, as faculty members
constructed new houses there.
Similar to Vreeland and Kemna a decade earlier, architect George Hancock of _
Fargo, North Dakota, established a temporary branch office in Bozeman, primarily
to design and oversee construction of some of the city's ambitious masonry
buildings of the first three years of the 18901s. The most notable of these are
the original Longfellow School (demolished) , St. James Episcopal Church (9 W.
Olive) , and the Hotel Bozeman (321 E. Main) ,
James E. Martin, and very likely Edwin B. Lamme as well, seized upon the
convenient opportunity to secure prestigious house designs from Hancock, and on
adjacent corner lots on S. Grand Avenue constructed two generally similar Queen
Anne/Colonial Revival style houses. Those houses, the Martin House (419 S.
Grand) with its unique, sculpted frieze and the Lamme House (501 S. Grand) , are
surpassed in grandeur in Bozeman only by the T. Byron Story Mansion (811 S.
Willson) .
This brief, three-year spurt of building in the city was virtually halted by an
economic depression, the Panic of 1893, which lasted through the rest of the
decade. (Ironically, Martin took a substantial loss just one year after building
-his locally famous house. in 1892, when the Gallatin Valley National Bank, of
which he was cashier, collapsed, )
Soon after the turn of the century, Bozeman emerged from the depression the
undisputed economic and cultural center of the rural Gallatin Valley, which is
dotted by other communities, and embarked upon a period of steady growth that
subsided only during the Depression and war years of the 1930's and 1940's. A
newly swelled class of successful businessmen and professionals revived the
residential migration to the area of South Central (S. Willson) , S. Grand and S.
Third Avenues from other parts of the city. As they did, those streets, and
other residential areas south of Main Street, grew at the expense of those to the _
north, and Bozeman took on its present configuration - an east-west running Main _
NPS ROM 10-00" OMB hqp cwm1 N* iU.14.10if
Ia+q -
= lSnited States Department of the Interior (
National Park Service
} National Register of Historic Places
Continuation Sheet
Bon Ton Historic District
Section number 8 Page 32
Street commercial district buffered by a vast grid of middle to upper class
residential streets to the south and southwest, and scattered lower to middle
class residential streets to the north.
In 1907, an editorial in the Republican (' uric lamented this lop-sided
development, and the fact that municipal improvement such as cement walks were
conspicuously weighed toward those areas south of Main Street. The newspaper
noted that:
"For several years the large proportion of improvements have been made
on the south. . .side of the city. Nothing has been done. . .on the north
side. The consequence is property on the south side of Bozeman is
vastly more valuable than that on the north side, gnd many who formerly
lived north of Main have moved across the line. "
Even today, many of the streets north of Main Street remain unpaved.
A large proportion of the development south of Main Street, mentioned above,
occurred in the Bon Ton historic District. This development included both
expensive, custom built houses, which invariably set the tone for the district,
as well as more modest vernacular houses. Collectively the turn of the century
houses in the district reflect a recovery from the depression of the late 18901s
at all levels' of the economy, -_-- _
The Avant Courier noted in 1900 that Fairview Addition was ". . .being improved
quite rapidly. The water mains have been extended to all the blocks in the
Fairview Addition, the streets have been graded, and substantial plank sidewalks
are being constructgd as rapidly as the lots are improved by either brick or
frame residences. "
The newspaper mentioned some of the modestly ornamented, brick or frame
structures that were built both speculatively and on commission by two local
builders, A.J. Svorkmoe and A.J. Moe. Many of the houses attributed to these
builders appear to have been based on "House Design No. 1061" in Fred T. -
Hodgson's mail order house pattern book, Practical Bungalows Ond Cottagea fDc
TomO and Country. These houses are cubic, two-story, hip-roofed blocks, each
with a gabled, two-story projecting bays in one-half of the facades, and full
front porches. Two examples of this design by Svorkmoe are 621 S. Grand Avenue
(c.1910) and the smaller 608 S. Grand Avenue (c.1899) , while one by Moe is 612 S.
Grand (c.1904) . The later building has recently been remodeled. Bozeman's
postmaster, Ira L. Kirk, who bought 703 S. Grand Avenue, built by Moe, and
5 R-T=bl = Courier, September 3, 1907► p. 2
6 AD= CQULi , September 1, 1900, P. 5
�saa}
United states Department of the interior
Nationai Park Service
National Register of Historic Places
Continuation Sheet
Bon Ton Historic District
Section number 8 Page 33
rancher Alex H. Black, who bought 612 S. Grand Avenue, also by Moe, are two
typical buyers of these speculatively-built, vernacular, pattern book houses.
A.J. Svorkmoe also built at least one more elaborate example of this pattern book
design, probably for physician Joseph A. Delaney. The Queen Anne style house,
609 S. Third Avenue (c.1906) , is similar to the others, although elaborated upon
by the addition of a projecting canted bay, rather than a rectangular one, topped
by a gable with ornate stick work inf ill. _
Although out-of-town architects continued to be hired for the most elaborate
residences in the city as late as 1910, when Fred F. Willson began his local
practice, builders such as Svorkmoe were also called upon for the design and
construction of some of the city's most pretentious early 20th century houses.
The brick, Queen Anne style house built in 1900 for druggist A.C. Roecher (319 S.
Third Avenue) , for example, appears to have been built by A.J. Svorkmoe, while
the impressive, Queen Anne/Colonial Revival style E.W. King House (725 S. Willson
Avenue) was built in 1907 by contractor J.R. Scahili. Plans for the King House
came from a pattern book put out by Keith & Co. Architects of Minneapolis, and
were labeled as design #1094. The ornate Kopp House (502 S. Grand) also appears
to be the work of a builder rather than an architect. These three examples are
distinguished from comparable architect-designed residences by their simplicity
of form. The houses consist merely of rectangular or cubic main blocks typical
of vernacular architecture of the period, to which were added towers and the full
vocabulary of ornamentation in the repertoire of the builder.
During this period of renewed, early 20th century prosperity, architect C.S.
Haire of Helena designed at least one major public building in Bozeman, the
Carnegie Library in 1902, and at least two of the most significant historic
houses in the city, before his apprentice Fred F. Willson set up his own
virtually monopolistic practice in town. One of Haire's houses is that built for
the president of the Gallatin State Bank, Wells S. Davidson in 1907 (604 S.
Willson Avenue) - a modified example of the Stick Style. Another, the T. Byron
Story House, was built in 1910 at 811 S. Willson for the son of cattle baron,
..-millionaire, and Bozeman pioneer Nelson Story, and is comparable to the numerous
mansions in Haire's home city of Helena.
The work of architect Fred F. Willson, which left behind the Queen Anne style
influences that are evident in the work of the elder C.S. Haire, is distinguished
by its self-conscious participation in the national architectural milieu of the
early 20th century. The Waite House for example, 901 S. Willson Avenue, a
typical Bungalow that might just as well have been executed by one of the several
early 20th century house carpenters in the city, is unique in Bozeman because of
the Prairie School style stained glass incorporated into the design.
r
Willson, educated in New York and Europe, employed virtually all the styles and
associated diversity of materials available to him. His work in the district
includes examples of the Colonial Revival, Bungalow, Tudor Revival, and
H?S Fam 36-00Da 0"@ A;wm&vo tv24 Wis
{6aa1
United States Department of the interior
National Park Service
National Register of Historic Places
Continuation Sheet
Bon Ton Historic District
Section number 8 Page 34
International styles. A true 20th Century architect, Willson was keenly
sensitive to the wishes of his clients, which in Bozeman tended toward
conservatism in design. Louis Spain Sr. , once a client of Willson's, recalls the
architect's Patience, and willingness to return with revised plans until one was
agreed upon.
Perhaps in part as a result of this flexibility, much of Willson's work is
virtually indistinct from the typical vernacular architecture of his period
throughout the country. The A.F. McCune House (401 S. Third) , built c. 1919, a
typical eaves front bungalow, is in fact surpassed in originality and
architectural significance by some of the bungalows built by local carpenter
Elmer L. Bartholomew, such as the one at 519 W. Babcock Street.
What Bartholomew and other builders apparently did not offer, however, was the
diversity of current styles to choose from, the possibility for a completely
personalized design, and the process of selecting a design that Willson could
provide. Bozeman had come of age as a modern city at the heart of a rich
agricultural region by the time Willson began his career, and provided a steady
demand for an architect of its own.
Among the diverse middle to upper middle class designs by Willson is the house
built in 1912 for Dr. James F. Blair (415 S. Willson) , a conservative, opulent
example of the Georgian Revival style. By the 19301s, when houses similar to
this, such as 425 W. Cleveland Street, were still being constructed, Willson
designed a small Tudor Revival cottage at 509 W. Cleveland Street for Harry
Healy, manager of the Sweet Company, and a simple International style house at
412 W. Cleveland for Fred Browning, assistant manager of the Oaks Cigar Store.
Eugene Graf, owner of Bozeman's Bon Ton Flour Mill and Bakery (both designed by
Willson) , had Willson design for him a unique house (F 4 W. Cleveland Street)
based on photographs he had brought home from Europe.
Willson's clients invariably built in the Bon Ton Historic District and, with the
exception of a few houses surrounding Cooper Park, all of Willson's known
residential designs are consequently located in it. The consciousness of -_
architectural style possessed by these clients, therefore, in large part shaped
7 Louis Spain, Sr. , interview with Matt Cohen, August, 1985.
8 One notable contemporary of Willson in Bozeman is architect W.R. Plew, a
professor at Montana State College. Though Plew had a very limited practice in
Bozeman, two houses attributed to him, the Bungalow style 1004 South Willson
y Avenue, and the seemingly Scandinavian--inspired 120 West Cleveland Street,
display considerable originality - more, -in fact, than anything Willson designed.
Plew also designed the Beall Park Community Center in 1927 at 409 N. Bozeman
Avenue.
HPS Fawn 1 0 4 CWB Apprpvy 1I0 fOtt Oot�
W")
United States Department of the Interior
National Park Service
'National Register of Historic Places
Continuation Sheet
Bon Ton Historic District
Section number 8 Page 35 _
the present appearance of the district.
Indeed, several past residents of the district built more than once, continually
keeping pace with current architectural preferences. Frank L. Benepe, one of the
earliest prominent businessmen in Bozeman, updated his Italianate "Palazzo" at
201 S. Third Avenue, which when built was noted as being one of Bozeman's finest
residences, to the Queen Anne style in about 1898. W.A. Tudor, a dentist, in
1904 moved from his brick, Queen Anne cottage at 613 S. Willson Avenue to the
then more modern Tudor Revival style 805 S. Third Avenue. Similarly, Burr
Fisher, one of the founders of the Chambers-Fisher Department Store on Main
Street, built a fine Colonial Revival style house (209 S. Grand Avenue) in 1900
which was noted in several articles in the Avant: Qourie . Just nine years later,
Fisher moved into 712 S. Willson Avenue - the city's first, and still finest by
far, example of the Spanish Colonial Revival (Mission) style, which was designed
by the architectural firm of Link and Haire.
On a more modest scale, Joseph N. Brown, a brick layer who had a brick yard in
the district at the corner of S. Willson Avenue and W. Cleveland Street, built a
fine, brick, Queen Anne style house at 511 S. Grand Avenue, in 1889, and, in 1912
erected a unique, new Bungalow style house next to it at 515 S. Grand Avenue,
which was designed by Fred Willson. Similarly, rancher Benjamin Bisel demolished
his family homestead at 222 S. Willson Avenue during the late 1880's in order to
make room for the present two-story, frame, Queen Anne style house.
Unlike the numerous modest houses in the Cooper Park Historic District, most of
which were built speculatively and changed hands frequently from the time they
were constructed, the houses in the Bon Ton Historic District were in general
occupied by the same individuals and their families for long periods of time, in
some cases for generations. Not surprisingly, a random sampling of the original,
or longest, occupants of these houses reveals owners rather than renters,
employers rather than employees, and professionals rather than laborers. Jarvis
M. Flint, for example, long time resident of 420 S. Third Avenue previous to the
1920's, was president/manager of the Flint-Lynn Lumber Co. H.D. Bath, who built
the impressive house at 405 W. Cleveland Street, was a lawyer. Similarly
Postmaster Ira L. Kirk, who lived at 703 S. Grand Avenue, and Ernest J. parkin,
principal of the Gallatin County High School who lived at 414 S. Third Avenue,
are representative of the several governmental supervisors who lived in the
district,
As Rozeman's middle and upper middle class swelled d»ring the first three decades
of this century. the growth of the district paralleled the substantial growth and
remodelinq of the Main Gtreet commercial district New houses filled in the
empty lots on the long streets in the Bon Ton Historic District, and by the
1930's W Cleveland Street, which linked the south end of S. Willson Avenue with =
Montana State College, had become the new location £or the city's most impressive
residential construction.
NPE Form MOO" -- Glue Appmvd No 1024-MIS
United States Department of the Interior
National Park Service
National Register of Historic Places
Continuation Sheet
Bon Ton Historic District
Section number 8 - Page 36
The presence of a large university in the city of Bozeman helped to offset the
adverse economic impact of the national depression of the 1930's. The greater
prosperity of Bozeman relative to other Montana communities is illustrated by the
sizable number of housing starts in the community during the depression era. In
addition to the trade and employment opportunities provided by the university,
Bozeman's economy also was bolstered by the continuing productivity of the
surrounding Gallatin County farmers and ranchers. Gallatin County is one of the
richest and best watered agricultural areas in Montana and the wave of farm
foreclosures that swept the State during the 1930's only touched the higher,
drier, marginal bench lands of Gallatin County.
In 1935, the city erected elegant concrete lamp posts along what were thgn the
two most fashionable streets: S. Willson Avenue and W. Cleveland Street. The
posts, which have tapered, octagonal shafts and translucent, urn-shaped lenses,
are the only historically significant lamp posts remaining in Bozeman today, with
the exception of two isolated iron posts just off Main Street on N. Bozeman
-� Avenue.
.� S. Willson Avenue was renamed from South Central Avenue in 1920 in honor of
General L.S. Willson, a Bozeman pioneer, prominent merchant, father of architect
Fred Willson, and himself a resident of the street (504 S. Willson) , who had died
that year.
While most of the district as it appears today was built prior to the mid-1930's,
scattered infi.11, such as the typical. Ranch style house at 922 S. Willson Avenue,
which was designed by Fred Willson and built in 1950, occurred into the 1960's.
More prominent are the large, multiple--unit developments that went up during the
past twenty-five years, such as the Sigma Chi Fraternity (722 S. Willson Avenue)
in 1961, and the Artemus Apartments (302 S. Willson Avenue) in 1965.
This development, combined with the commercial development creeping south along
S. Willson Avenue from Main Street and the increasingly heavy traffic, sparked
...the organization of the South Willson Protective Association (South Willson
Improvement Society) . The group successfully worked to change the street zoning from multi-family to single-family residential., and to encourage preservation
along the street in general. In 1978 the group sponsored the nomination of most
of S. Willson Avenue to the National Register of Historic Places, which will now
be incorporated into the larger Bon Ton Historic District.
Rehabilitation of the Armstrong House (319 S. Willson) using funds provided under
the Emergency Jobs Bill of 1983 and the D.D. Smith House (320 S. Willson) in 1984
in connection with the Economic Recovery Tax Act of 19-81 established a precedent
for preservation work that may be repeated in the future.
9 Les Ammondson, telephone interview with Matt Cohen, December 23, 1985.
N"FWM I6C006
f�! auaAPoffl.ona 0024a018
United States Department of the Interior
National Park Service
National Register of Historic Places
Continuation Sheet
Bon Ton Historic District
Section number 8 Page 37
BIBLIOGRAPHY: .
Alderson, Matt W. , Bozeman: A Guidp to Its Plies of g�rrwat;c,n 1883.
Ammondson, Les, Manager, Montana Power Company, Bozeman, Montana in a telephone
interview with Matthew Cohen, December 23, 1985.
Avan CS?ucier, April 24, 1884.
Boz=n CbgQnigle, June 6, 1906.
DeHaas, John N. , Jr. , South Central Avenue Historic District, National Register
of Historic Places Nomination Form, 1978.
Req=ican Cow, September 3, 1907.
Spain, Louis Sr. , in an interview with Matthew Cohen, August, 1985.
ekly Courier, November 1, 1883. --_-
y
Plat Maps
"Alderson's Addition to Bozeman: W.W. Alderson's Addition to the town of
Bozeman, surveyed by W.Y. Smith, Deputy U.S. Surveyor, Sept. , 1982, filed for
record Oct. , 1 873; " copy of the original plat by James W. Drennan, Co. Clerk,
1889, on file at the Bozeman City-County Planning Office, 35 N. Bozeman Avenue,
Bozeman, MT.
"Capital Hill Addition, " 1890, on file at the Bozeman City-County Planning
Office, 35 N. Bozeman Avenue, Bozeman, MT.
"Fairview Addition to Bozeman, " submitted by W.W. Alderson, 1883, original plat
map, on file at the Bozeman City-County Planning Office, 35 N. Bozeman Avenue,
Bozeman, MI.
"Park Addition: Plat of Park Addition to Bozeman, Gallatin County, Montana, "
submitted by Nelson Story, John S. Dickerson and Walter Cooper, May 1883, copied
February 21, 1923 from blue print (sic. ) of the original (plat] by L.S. Thorpe,
city engineer, on file at the Bozeman City-County Planning Office, 35 N. Bozeman
Avenue, Bozeman, MT.
BOUNDARY DESCRIPTION AND JUSTIFICATION: _
The L-shaped Bon Ton Historic District includes 26 facing blocks along S. Willson
Avenue, S. Grand Avenue, S. Third Avenue and Cleveland Street. Characterized by
a very high concentration of large, stylistically sophisticated residences, the
Bon Ton HIstoric District is separated from the two historic districts of more
middle class character by the unpaved S. Fourth Avenue to the west (the border
for the Cooper Park. Historic District) and the alley between S. Willson and S.
Tracy Avenues to the east (the border for the South Tracy - South Black Historic
District) . Thus, the Bon Ton Historic District is the centerpiece of the very
large residential historic districts in the southern section of the community. `
NPS rwm 10-900 4 om2 w1s
United States Department of the Interior - - C� �5
National Park Service -
.� _
.National Register of Historic Places
Continuation Sheet
Bon Ton Historic District
Section number 8 Page 38
The northeastern corner of the historic district boundary is located one lot
south of the intersection of Olive Street and the alley between S. Willson and S.
Tracy Avenues; then, south on this alley to one lot south of Cleveland Street;
then, west to the alley between S. Grand and S. Willson Avenues; then, south one
lot; then, west to S. Grand Avenue; then, south one more lot; then, west to the
alley between S: Third and S. Grand Avenues; then, north two lots; then, west to
S. Fifth Avenue; then, south to Arthur Street; then, west to the alley between S.
Sixth Avenue and Arthur Street; then, north to the alley between Cleveland and
Arthur Streets; then, west on this alley to S. Sixth Avenue; then, north to the
alley between Harrison and Cleveland Streets; then, east to S. Fourth Avenue;
then, north to Olive Street; then, east to s. Willson Avenue; rthen, south one
lot; then, east to the point of beginning.
[1TM REFERENCES: _ ACREAGE: approximately 80 acres
E: 12/497050/5058800
F: 12/497050/5058000
c G: 12/496050/5058000
H: 12/496550/5057100 -
HPS Form 10400.9 - CM5 AA"vsf M0, t074-W N
. W", - _ 94GAg5q
United States Department of the Interior
National Park Service
-)National Register of Historic Places
Continuation Sheet
Section number 8 Page 39 Bon Ton Historic District
Bon Ton Historic District
&d�rpzss
201 S. Grand Henry C. Cockhill House Vernacular 1890 contributing
202 S. Grand Hope Lutheran Church "Space Age" 1950 non contributing
- Eclesiastical
209 S. Grand Burr Fischer House Queen Anne/ 1900 primary
Colonial Revival
215 S. Grand Warren Goodman House Colonial Revival c.1914 contributing
216 S. Grand Gifford/Fowler House Vernacular ► 1900 contributing
219 S. Grand Flanders House --- ----Italianate 1888 primary
301 S. Grand Gardner House Vernacular/ c.1898 contributing
Queen Anne
302 S. Grand Work house Vernacular c.1890 contributing
307 S. Grand Hanks House Ranch 1951 non contributing
10 S. Grand Matthew R. Wilson House Vernacular 1904 contributing
311 S. Grand A.J. Hemphill House Vernacular/ c.1 892 contributing
Queen Anne
314 S. Grand E.B. Gifford House Vernacular/ c.1890 contributing
Queen Anne
319 S. Grand Lafferty House Vernacular _ - c.1 882 contributing
320 S. .Grand Chisholm House Remodeled c.1903 non contributing
324 S. Grand Chisholm House Queen Anne c.1904 primary. -
401 S. Grand Vernacular c.1895 contributing
402 S. Grand McKinsey House .. Vernacular c.1889 contributing
409 S. Grand C.M. Thorpe House Remodeled 1902 contributing
410 S. Grand Vernacular c.1900 contributing
414 S. Grand Brooks House Colonial Revival 1898 contributing
419 S. Grand James E. Martin House Queen Anne/ 1892 primary
- Colonial Revival
420 S. Grand Frank Alderson House Queen Anne Cottage 1900 primary
501 S. Grand Lamme/Armstrong House _- Queen Anne/ 1893 primary
- - Colonial Revival _
502 S. Grand John Kopp House - - Queen Anne/ c.1904 primary
Colonial Revival
510 S. Grand Arnold 9. Taylor House Ranch 1962 non contributing
511 S. Grand Brown House Queen Anne c.1889 primary
515 S. Grand Brown House Bungalow 1912 primary
516 S. Grand Vernacular c.1903 contributing
520 S. Grand Roy E. Martin House Colonial Revival c.1900 primary
121 S. Grand Remodeled 1 888 non contributing
J�01 S. Grand Nelson Story, Jr. House Shingle Style c.1905 contributing
602 S. Grand Frank Alderson House Vernacular 1900 primary r _
608 S. Grand Wells S. Davidson House Vernacular 1898 contributing
NPY rum 16606a - GY18 Ap mal Na 102440is
United States Department of the Interior T
National Park Service
'National Register of Historic Places
Continuation Sheet
Section number 8 _.Page 40 Bon Ton Historic District
609 S. Grand Kate Calvin House Colonial Revival c.1901 contributing
612 S. Grand, O.J. Moe House Vernacular c.1900 contributing
613-615 S. Grand Kate Calvin House Remodeled 1901 contributing
616 S. Grand Clark Apartments Craftsman 1914 primary
621 S. Grand A.J. Svorkmoe House Vernacular c.1908 primary
622 S. Grand Svorkmoe/Baker House Vernacular 1900 contributing
702 S. Grand Svorkmoe/Willson House Vernacular 1900 contributing
703 S. Grand Moe/Kirk House Remodeled 1900 contributing
707 S. Grand Remodeled 1900 non contributing
708 S. Grand Ogden/Waite House Vernacular/ c.1901 contributing
Queen Anne
711 S. Grand Remodeled -= y1901 non contributing
715 S. Grand Svorkmoe/Crest House Queen Anne c.1902 primary
716 S. Grand Vernacular 1900 contributing
721 S. Grand Svorkmoe House Vernacular 1904 contributing
722 S. Grand Altered 1899 non contributing
725 S. Grand - .. Ferguson House Bungalow 1906 contributing
)Tl S. Grand Niebel House Remodeled c.1930 non contributing
,07 S. Grand Holmguist House Bungalow 1930 contributing
811 S. Grand Krause House Remodeled 1926 non contributing
819 S. Grand Remodeled 1928 non contributing
825 S. Grand J.A. Bartholomew House Bungalow 1928 contributing
903 S. Grand _. . Queen Anne - _ c.1905 contributing
904 S. Grand Queen Anne c.1905 contributing
905 S. Grand .—Carter House Contemporary c.1971 non contributing
908 S. Grand Crenshaw House Mission c.1935 contributing
909 S. Grand Grove House Bungalow c.1927 contributing
913 S. Grand Hines House Bungalow c.1929 contributing
914 S. Grand Herschberger House Bungalow c.1930 contributing
1001 S. Grand Sweet House Bungalow c.1917 primary
1007 S. Grand Davis House Bungalow c.193 8 primary
1010 S. Grand -- Anderson House Colonial Revival c.1916 contributing
_1011 S. Grand _ Bungalow c.1915 primary
1016 S. Grand Katherine Story House Bungalow c.1935 contributing
201 S. Third F.L. Benepe House Queen Anne 1883/c.1898 primary
204 S. Third Squire C. Kenyon House Queen Anne 1900 primary
208 S. Third Vernacular/ c.1900 noncontributing
Remodeled
209 S. Third Byron T. Stanton House Vernacular c.1 891 contributing
212 S. Third Greek Revival c.1 890 contributing
- 213 S. Third Eschenbacher House Vernacular c.1900 contributing
115 S. Third Frederick Bu11 House Colonial Revival c.1907 primary
•)17 S. Third Hollowing/Burke House Queen Anne c.1892 contributing
221 S. Third :: Queen Anne c.1 885 contributing
222 S. Third Remodeled 1890 noncontributing
NAS Femt$0•000•e OUG APpwYal Ne 10244018
(�1
United States Department of the interior 69 q G�n T J 4
National Park Service
'National Register of Historic Places
Continuation Sheet
Bon Ton Historic District
Section number $ Page 4l _
303 S. Third Bungalow c.1910 contributing
304 S. Third Edsall House Queen Anne/Colonial c.1905 primary
Revival
309 S. Third Wilbur F. Williams House Colonial Revival 1905 primary
310 S. Third John Parks/Frank Vernacular/ c.1892 contributing
Machemer House Queen Anne
311 S. Third Thomas Noble House Vernacular c.1903 contributing
316 S. Third ---Thomas Noble House Vernacular c.1 892 contributing
319 S. Third Roecher House - Queen Anne/ c.1900 primary
Colonial Revival
401 S. Third A.F. McCune House Bungalow c.1919 contributing
402 S. Third _Safley House Colonial Revival c.P1905 contributing
- 407 S. Third Remodeled c.1900 contributing
410 S. Third Vernacular c.1 898 contributing
411 S. Third Stiff House Queen Anne - - c.1900 contributing
414 S. Third Bartz/Parkin House Vernacular c.1898 contributing
415 S. Third Sears House Vernacular c.l 898 contributing
)19 S. Third _ - Queen Anne c.1904 contributing
420 S. Third Flint House Vernacular c.1904 contributing
501 S. Third International c.1898/c.1955 noncontributing
509 S. Third F.K. Armstrong House Colonial Revival c.1905 primary
510 S. Third F.K. Armstrong House Vernacular c.1914 contributing
513 S. Third C.A. Henderson House - Queen Anne - c.1902 contributing
514 S. Third Remodeled c.1900/c.1960 noncontributing
517 S. Third W.C. Holloway House Colonial Revival 1906 contributing
518 S. Third __ W.F. William House Queen Anne 1906 contributing
521 S. Third Wimmer House Vernacular 1940 noncontributing
522 S. Third Brenemen House Vernacular c.1900 contributing
.602 S. Third Bungalow 1915 contributing
603 S. Third Callaghan House Colonial Revival c.1900 contributing
609 S. Third Delaney House Queen Anne c.1906 primary
610 S. Third Remodeled c.1900 noncontributing
614 S. Third Taber House _ Bungalow _ c.1915 contributing
615 S. Third Henry Gay House Vernacular - 1948 noncontributing
616 S. Third Taber House Remodeled - 1902 noncontributing -
623 S. Third Selway House Bungalow 1914 contributing
624 S. Third A.E. Pike House Queen Anne 1902 contributing
702--706 S. Third Pierce House Vernacular c.1902 contributing
703 S. Third Sievert House Bungalow c.1948 noncontributing
709 S. Third Spain House Ranch 1951 noncontributing
710 S. Third Taylor House Ranch 1955 noncontributing
714 S. Third Gossack House Vernacular 1940 noncontributing
'15 S. Third Cooper House Queen Anne c.1902 contributing
_.119 S. Third Gill Linf ield House Colonial Revival c.1902 primary
720 S. Third Brewer House - Colonial Revival c.1902 contributing
725 S. Third Hinds House Queen Anne c.1905 contributing
ayC:)�q C?�
NPS Form t wd0 OMB Appfmo No 102440f•
I�1
United States Department of the Interior
Nationai Park Service
National Register of Historic Places
Continuation Sheet
Bon Ton Historic District
Section number $ Page 42 -
. 726 S. Third Tallman House Colonial Revival c.1902 contributing
-800 S. Third Gould House Bungalow c.1911 contributing
805 S. Third W.A. Tudor House Tudor Revival 1904 primary
. 808 S. Third A.J. Svorkmoe House Vernacular c.1904 contributing
809 S. Third Davidson House Queen Anne 1907 contributing
811 S. Third Cady House Bungalow c.1930 contributing
812 S. Third Hall House Vernacular 1910 contributing
817 S. Third Miller House Bungalow c.1919 contributing
818 S. Third Brown House Vernacular c.1908 primary
819 S. Third Elmer L. Bungalow c.1930 contributing
Bartholomew House
820 S. Third Taylor House Ranch t 1955 noncontributing
823 S. Third Pattee House Vernacular c.1900 contributing
826 S. Third -Sheppard House Bungalow c.1922 contributing
901 S. Third Tbalen House Bungalow 1910 contributing
902 S. Third Bungalow c.1912 contributing
905 S. Third Sternhagen House Bungalow 1939 contributing
)909 S. Third Colbeigh House Bungalow 1012 primary -
912 S. Third Wilton House Bungalow 1911 -- contributing
915 S. Third Atkinson House Vernacular c.1915 primary
916 S. Third Marsh House Tudor Revival 1937 contributing
921 S. Third Law House Bungalow 1915 contributing
- 922 S. Third McKay House Vernacular 1912 -contributing
1002 S. Third Blir House Bungalow 1915 contributing
201 S. Willson Sperling House Vernacular c.1880 contributing
209 S. Willson Bungalow 1912 contributing
212 S. Willson Saf ley House Bungalow 1924 contributing
213 S. Willson Vernacular c.1882/ contributing
c.1925
214 S. Willson Shearer House Queen Anne c.1892 contributing
218 S. Willson Vernacular/Queen Anne 1890 contributing
219 S. Willson Yerkes House Vernacular c.1890 contributing
222 S: Willson __ _Bisel House Queen Anne c.1899 contributing
301 S. Willson Owenhouse House Vernacular/Remodeled 1888 noncontributing
302 S. Willson - Artemus Apartments 1960's Apartments 1965 noncontributing
307 S. Willson Phillips House Colonial Revival 1883 contributing
311 S. Willson Lewis House Vernacular/Queen Anne 1863 contributing
316 S. Willson Vernacular c.l 882 contributing
319 S. Willson Armstrong House Italianate 1863 primary
320 S. Willson D.D. Smith House Vernacular/Queen Anne 1 892 contributing
401 S. Willson Hartman House Vernacular/Queen Anne 1883 Primary
404 S. Willson (listed as 402 in NR) Queen Anne/Cottage 1883 Contributing
408 S. Willson Vernacular 1883 Contributing
.412 S. Willson _ Herron House Colonial Revival 1902 Contributing ._
415 S. Willson Fisher House/Blair House Georgian Revival 1912 Primary
NPS Faint 1&030.4
United States Department of the Interior
National Park Service
[National Register of Historic Places
Continuation Sheet
Section number 8 Page 43 son Ton Historic District
417-423 S. Willson Modern Apartments 1962 Noncontributing
420 S. Willson Fielding House Colonial Revival 1884 Contributing
503 S. Willson Poore House Picturesque Revival: 1937 Contributing
Tudor
504 S. Willson Willson House Colonial Revival 1886 Primary
511 S. Willson Monforton House Georgian Revival 1936-38 Contributing
516 S. Willson Queen Anne/Colonial 1902 Contributing
Revival
520 S. Willson Pease/Strand House Queen Anne/Colonial 1900 Contributing
Revival
521 S. Willson Mendenhall House Queen Anne 886 Primary
603 S. Willson Vernacular 929 Contributing
604 S. Willson Davidson House Stick Style 1907 Primary
607 S. Willson Rose Mouse Vernacular 1905 Contributing
610 S. Willson - Foster House Colonial Revival 1904 Contributing
613 S. Willson Tudor/Robinson House Queen Anne Cottage 1883 Contributing
19 S. Willson Hartman House Colonial Revival 1 886 Primary
;24 S. Willson Story House Vernacular 1942 Noncontributing
701 S. Willson Baker House Colonial Revival 1904 Contributing
704 S. Willson Anceney House Tudor Revival 1929 Contributing
709 S. Willson Patten House Vernacular 1907 Contributing
.712 S. Willson Burr Fisher House Spanish Colonial Revival 1909 Primary
713 S. Willson -Gardener House Vernacular 1907 Contributing
722 S. Willson Sigma Chi Fraternity Modern Apartments 1961 Noncontributing
725 S. Willson E.W. King House Queen Anne/Col.Revival 1907 Primary
804 S. Willson Stewart House Craftsman Style 1911 Primary
810 S. Willson Cooley House Vernacular 1904 Contributing
811 S. Willson T. Byron Story House Queen Anne 1910 Primary
814 S. Willson Martin House Craftsman Style 1909 Contributing
822 S. Willson Hauseman House Vernacular 1936 Contributing
901 S. Willson Waite House Craftsman Style 1911 Primary
902 S. Willson Walker House Colonial Revival 1904 Contributing
908 S. Willson Seitz House ._. Four Square 1916 Contributing
- 911 S. Willson Scherer House French Provincial 1936 Primary
912 S. Willson Stiff House Vernacular e.l 892 Contributing
916 S. Willson Richardson House Craftsman Vernacular 1926 Contributing
921 S. Willson Craftsman Style c.1910 Primary
922 S. Willson Ranch 1950 Noncontributing
1004 S. Willson Plew House Craftsman Bungalow 1915 Contributing
1005 S. Willson Vernacular c.l 896 Contributing
216 W. Alderson Ranch 1954 noncontributing
;14 W. Curtiss Vernacular/Queen Anne c.1900 contributing
`115 W. Story Sievert House -Ranch 1954 noncontributing,
310 W. Dickerson Barton House Ranch 1960 noncontributing
301 W. Story Modern Apartments 1961/1981 noncontributing
NP3 wan,M900.4 CA48 ApO7 ai ft ia4 i
United States Department of the Interior -
National Park Service
{rational Register of Historic Places
Continuation Sheet
Section number 8 Page 44 son Ton Historic District
310 W. Olive Tri-gable (moved) c.1900 contributing
309 W. Harrison Scott House Bungalow c.1922 contributing
310 East Koch Tri-gable c.191 8 noncontributing
115 Cleveland Ave. Good House Tudor Revival c.1934 contributing
119 Cleveland Ave. R.A. Cooley House/ Colonial Revival c.1922 contributing
MSC Home Management - % -
120 Cleveland Ave. W.R. Plew House Eclectic c.1925 primary
205 Cleveland Ave. Cook House Colonial Revival c.1925 contributing
304 Cleveland Ave. Brotherton House Colonial Revival 1916 contributing
402 Cleveland Ave. McCay House Vernacular 1930 contributing
405 Cleveland Ave. H.D. Bath House Mediterranean Revival 1927 primary
408 Cleveland Ave. Saunders House Vernacular e.1941 noncontributing
411 Cleveland Ave. Farrington House Tudor Revival 1936 contributing
412 Cleveland Ave. Browning House International 1936 contributing
415 Cleveland Ave. Stein House Remodeled 1937 noncontributing
419 Cleveland Ave. Long House Bungalow 1926 contributing
- 421 Cleveland Ave. Menard House Bungalow -- c.1933 contributing
� 425 Cleveland Ave, Sullivan House -Colonial Revival c.1938 contributing
426 Cleveland Ave, Heetderks House - Colonial Revival c.1930 contributing
503 Cleveland Ave, E.S. Cooley House Colonial Revival/ 1915 primary
Craftsman
504 Cleveland Ave. Graf House - -.Chateausque 1933-34 primary
- 509 Cleveland Ave. Healy House - -- Tudor Revival c.1935 contributing
515 Cleveland Ave. Van Winkle House Tudor Revival 1936 contributing
516 Cleveland Ave. Swingle House Neo Gothic Revival c.1931 contributing
520 Cleveland Ave. McKinley House Ranch 1955 noncontributing
521 Cleveland Ave. Chaffin House Tudor Revival 1936 contributing
_ — Doze r�n, ���, — f Ga A 4 5�
BON TON HISTORIC DISTRICT
_ fjABrOCK STREET 1 _
7 N V .�.
_ _ I ac
j EMER54N .; _... FEQERAL 4
El� [fOOL — Ir7 ��{ — BUILDING m —
OLIVE {
W W G Q
RTSSS _ TREF.T
1L O H
STREET
COOPER
PARk
S70RY STREET
IL
DICKERSO ST EE T _
TELL-L74
ALQERSON STREET_
- � PARS ..}s._. __�' r r1••'- - _ -
CO LEE
—
0
HARRISON STREET
7IT-
7
STREET 1 —
l�
r
i4
ARTHUR R f I
t R
Red: Primary Orange: Contributing
✓ -- - Green: Park Blue: Non-contributing _
'•?'� ��.►��,:.•A�.�.. -s.s;;�'�,rT�`%_„n-.,o• - ors„_ _ ' -�-. ,. ���'a'• s ;�'.r�.,��-•-,.,��,.,�-"�,:•� �,vr•� --
`wi' �••ry,,'„t,y:'±s'ar_ .•- '7.' r ale k".' ,,. t - ._
�.y'+::'•:Zt#= t?Y. s 1��+* < -rt � ,.xru��riµ `:rr.:,��`!rR' :��3... � t �
{. Ya
!� Y J �• �'liM JyeV^.
a�I s�� t�4' �ti,'�C� ,�R�s et�+I!.tl.�!+��}i`. p ny. riw.� � _70.�"` '�' � �}� „•
�� J�� <' � zc4 i't''�.t •»N �r� ��+••r,�Ry�' rye ; .ri �'.::, �� � +iG�� 'i. "Y
,f^. � t J �;;,f�t «•�. rx °e.wRt�+Jr ,f,N� � � !n�yY• � .t` f tk�'} h t
*
WWO
3 i$f�i4� . M rat • v �R/,T� �_�4� ^R. .. 'S
10
ORN
w, . ter*� �f�:.3:� � �.K' � ��� n ;���.1.,`�..�'• �'i `-u�l
�R •17L �� �Y r '��
.Y �s i 4k
Al
i " 1
Ag
♦.,
�� 1./4 �"�IIY 1•
Vi'1j��9 t
I V �
f•
ti • �'. ii�v .t� ,fy, �,��.
• L r llr �`� 1 �V; ;,�is�S}�.. �� i��1�;w�I�, l w r�T
� �p� �,♦ �k, -t� 'k��Jy.. ��`� .,,Zip
f���� ��:�+f�[ �: L ' •rM^ h `S 'II.t K�..1i� ��y, y�,Nj'1.•
S• •}a ,,, `'•r. , . .,r'.r,� �'r�a+,�� � � 'Ray °r�a���'�� "4��';;�f'�a
�. f �+' '. �g�•�w; w�itr' T i �2 t, � r,1.7F�r71 . �
,i, .f4•� -.t`tR'r i--' •�:xt+�+ �M;':�`"���SIq]`�F•: Imo•Ia"s et + Y tt... •C � si
f .w t? i2 Z�,, a..'�`4f •��,�Y l��r i i'b�,� � -''� L�f'bd��� Gi - � `r�({t��
`� �+J. • 1 � 'tT• d•';"'`r� t? r Yt� 1'� w�l•."`ir'y �"-J; '� �R i, ' rya *T f
,.�.t- U_'L�,'Y �arf�••' .r.'''Z��A,1,�a`"y-'�£S''r�rt s,' re.;� �tir'Wr.. * ,.t• �+TJ-' ) S `:
s �����' r;�-" �'q'-"t; •j%a~, ..•� -����"�'• �+ ��� 5'Si:. :y' gi�� i
M.-I
MA
- r. x�...+•i� �+kry K tT �' ,•�'}
t d�
'v� 'ry''�f r�� ..� �.t. '>t,:•ti7 v+'*l�ISINP' it� .. ��, ti� ���# V�*L � _
'w s'y{Z�7/1ri..'� +r1.yJ`� ti �����a +�S'. •2 •+��,��•�a':,�t� �M •.
I `h �r•F a t
•�h•'} li�"F f L�� '� �� 3J+t•..,w w�tY'L' �" ►i •'►'� ,{L .�,t
t �� � `t��j�Y L• �: �t�yAr��t .y r �t�fj cl�n!•t.s 6�{ff -
!, t• �w F fi��. � gt'Kf��¢t C �e` ,'� •r'3 L�L+,��F;g.} ` i`iSTr ��r'�t: let�r!���+�'ya
{ .Ir [ ,H �Y,"�'Y"t.i j Q ��!�. r. F9�+�1��=�•'iS;•ti� �• f �'� d t•ill'r!<<•.'�r
..{'Y! "z� + '.ice•,}�,� •r5.% .)1.-' .. r�: !
ZEM
Y �' t��^,i��T �'irrrr:�� }� -+•y ny'1.. - !'�.••r �Y tf ` �'.• �: Y.j��
+t r -,•.+' •. AN. 1. i• ''� i j• •4yYl`',a ;`' '`>ti .'S7
n. ,
- � -fit•. " __ s ,t •r'R�.�:,-.i-. 13.
(.s' � _ - �{ .ram �:� j•. E.+...
I �� �,. �".+•i-:i+•'k�t yr ♦}4` � - �{�:r tf•w'�,�y^Yi.�� .r - •� S
��w� �, Mi,f.T .•'Jr}'�!=��. f ��r.,ItY,_.�...•�r'+ F ` •� ' t
i•k. r sr•.. IC}.i A� `r"..`+'mot . �r 7'..t" ? erY, !. :�.• r.,
y� S'rf • Y y`}%Y`Jf'��•"�;�ti.K• � ` �F' - {•`.•R, •++t'..1.sue, .'. �
%1S ..I .. '.E}Tv"' S.�ti,{"'�^_>y, .�'.. � ?'`'r •.`1 r.�.•• �� �'.t. � "��C7c S .� i
La-.�i �+ 7.ai.6lt.ii.:�r..a�'�'r �' Id1.a: ..arti2�•,'i7 N. ��iY ti$+� 4l .:n •
ITT
3' Leh Nit
,' t� :.• ?S*` = .} q;,,{ Syr 1 Syr. l�
Ad
lop1 r i r �� ,•-�'- 'r?"4 z t fIr 3.i.7' ' _ _'
M .wf' t.'3.•`• r a
r r � WZt
f }S s f �k _ /�+F`r�..`,'r•�y��t Ya r•• �r' + t'`, •`t' - ••-�.
�• �. �.',41.�at�i:i}:.�w• ..ur: �.e3+',1•",.:.�s• .�:.:�r . •n. •'� �.r�,..�_��:_ y...a•�
' r� irryc•
• � . ,Yri• S •� M
• • 4 C i7
5 rho". ,;
_ '. Fes" y[, t..�� ���JS• i 5�
� mac• �' r��' � .S rk � i .e.
+r i� a,.f r r 4!`Nr �� � -���Iib' `� d 3,•?}ws��,
� iy ♦ �,f.' r +�� �t�T,��y�.`yf�yjd�.: ,%F may}ri'w�'!R:
' ►,�r L�{�C `s � S� ���. .fi J•r�'�, 13 �t�, _ '�^s7~�'+tyi1�� L' ~A��y� � • ,f..
,}.." ':fir ram'Jri k: t "''� ',t•:.tiG'ry L7 r.� •t.Fr?, 't,
We
.�j t �� �Iy;• r� ,r�ait�n�r •�h ,� �!'• .�f 1� .�'�ri1�.�>h C i
} ►� 1. -Sty, ,�..C,.aayr•»'l��•W''*�},t� �'�4�'1Yi»Nr I•�Ha-iY���R'� +.1��i�'r' �1 �l�l,>
, > r>♦ .�� 71 rs/•`' 3 `R f1 jrf•` :4'�,1��1 f� � . �+� ��l i
in' ,,r" r � � 'r•� .mil � :t ��r.��� �fF '.
� 1 'r � �f�• i t KY' �}•,fci gnu„"� r (C,i+ a'y�'�.jrrY L� ' �
�: �� r.a•�•�. .r;f'��•��" :�^•��'.'�!+Jr4.�s yr�1 F a��h � es.f�.,�, ,�F � r J��s�l�'i�,�r��, �
rw fr ri. f t,rit.c. �fi��bl,F' d5 r
f ;
h .x} .k��y!l� "1y� � •r?/�i� �+ti r .•a fr,.�,r�,' •- ,r�t�a;l ��k�•.
f.r-•N#c�}��+' �u-rM rge•. ����'�I r.. I 1'xi�lOe. .J{ •f�, �.'
•,x� - r• 'v '� "fir :�i•.rt�!f .��'►—', '� Y 'h
` � ° - ��.:'f�ii+Iry�,f rr• � iy�.yr r���,` �r� ..�.. �" Si: M*1��.•' y
�. :� ""' ��sr t y +�k.Z• +fie
F - 4
X I`t. t • ill t 1F
re.i +.��1►� s,� r ,
7
it
o Own,
to
r �of�C �►, 'y.. � e
�1�i; T• 4 ��•"t �tt r,� -
�.. +� z.- � :=`fir .�,r•�w"' y1„ c_ i� 4fj�.
F� � ���R ]. F` i.r i•
''�y�y ,►* "ry i ww��r'�7'h s*L �' sir' 7� �"' 1
�y� �. +.���� �ya:j31 �"tS��.��i`r ���"'i+r��•"�,`rn'r�a �.� '4f�� "t{'�r, 3 �y
r�
f,IM ; s 1
_ �� �� I, ,rt Ty �• ,� w G'�r rye � � '� r
it i ..
f} "a'�7y'S''Z�%L�.r�'{[��, i K• y �'��z',��5� � ,i �,}
{ JAY • ,j C�NlI`+VI A,MhrO Ry •]
3 ,r.+i.fidtiu '•Lr'� �; AM', ;+:jbT„yi� ►4 y�[n'•'aR, ' , f
L7[ M 4'u• Y�lt4c��i� ��f �j•S.i�r i''�'rl' ,�;.�r�
`�°ft''^�`�'.���'�h1• ]�.. �;f �' .rrgny."s���f��tf �� ,�� -� rt
•'� S ii eA Y ��� �i.tt.}r���`�, 1 ���� S�*�� �t Yr� '1
-
Y.fV f [ • �l
r
i+
rr `
}` i r,' t }r1�yv'. pT i'G.•ti "2' ~' .tC ti•'hYr�kj
t C t.y;rrt
k..�;i ,s .+.�7K fRRc J rv;jtlr�� :,:::�;,��,.a���g��i+•�` n )�' •i •t l�t •,a'}►5+.�
s.� } ��`N H�1 ���,�''t, •ti .�'�li.'.'��SF�R�'N. �i�r ) �riar�t�r4'
•ham{ 'a: 't. f't- . �'gip,,t.� �l�ri,{„'i�. '� �' �'+ + • ra�!•�. 4
14 'e a5x1r,'•, r am- ,i.f
Al
V.
*SY1i��y��ellbb,YY x�� ' y" '��'Y {.�.'�_,, � � �_ � � �+ �R�z���.,'�,' �' �'l/.•
,, r�.YT .r - yr Y�.;r)TF sf '�,•�Y� iJ;. '.11 7i�i � ��r -
���, �� ;r����rx1L"�fr s �Ci�h�.• ��{f'3,ti 4A _ -! r
. x4 t 'f ry Ya 4i.-Im t r t f
r{IT .� •��: ^"' � e� "dry'''" ��� �'
Af
NN
i
r;!• 7v:.i Sswe: �� t s•1.C~!`S+��P►i�a•�a�f..x.
w
lair-.�•.i:ar •�'e ') .<tF' �s� �,� ;Y�.y. �+.�r. �i i�� •'.
�i^i 1� 'r' Q �., � '..��` r�4 irI►tK�} ��et f� ,�Yty. a.
L � �A J�:� � J• �`,_�Yf�. ' kqj ��t ��1''/.a� ; 7r'•�1 ��,'y'
- „�� Y 4rs:•'y`Ky 4 � � �L��Y F aX•Ye iffy
.r� •y!. yft't ti i��lr. �� `fy r .�;'i��i►� �1
Jµ
`��t��� c
PT!,'.
Ii�S �`4K ,Tl' .� t,,.,�'3/4.F^-�'T` ''•,`�R•Fr�y,y�'(a�' ��tti. t3�'y r��,��, Jt��j?b1►`.�,L�' ;'Zr�a
77C„ .., •,� f.� -� tti.! .f� f�aalyy„`�':;� t r : �,`' i �''�y►�.i w=f:,y r�k..��`'y�_
rp —
rul
¢ ��# �d+ xy !a�y`r�(.t "�I, �i/•[�'7�ir��,/ rA, •� a_���'�7.
�cr�+tit 4"+��; -z�' �.t ,�'a"' �� 4ti�' ' � � ' ''�' ��' ►
�tx�_� � '� � ,,S # ,�a � •'+ r t�� '�/' +�':tin i
dr
P ��4,f y ,t 1�+. 1 y r3. •�� •An
ik � �.�'` s .x,.••A.j '.t'
��,'.l �•J'L I _F7 �, 7�.y;y�!� Vie. k '"y�,�?�,�,,y�^�„�+�,f7{'� ,' �'�.:
IMP" J
.� .ram �*4 .,�, '8,. li:{� .� � � i'br �, s.'T_+t 4��T7��� 4r• f'�n.
�� #��. frn i?�.• TJf L- _ tr,K�,r„�rj3 �. •y ..3•i �,.� i t. r,.
}. � � * a},i� -rr .7y�s' � t��.a� rti' ♦ j1i `�,�rA`i.
,
�A,t L ��e �, ,t r 6 3 rAF�°,�{CG�'�' ":tY•Y"'i+*'�jY '�.`
;r, �h+ s r ' yet.{1t.7�, j .•t
�St;;:��:�l�� t � , Kr{1v' ,ti.• torn t fr 1
� Jt.a y3r1� J , ;;tom '.r1. 3T►R:< �M
�tlyu.•t Li t`,i�' s a �` ..,-7 t �� t �y�,�F' �T
JUM
�, •+`,.. .:t,. «sit ' .s'; ��' i '�j
�(,3. Ct�`` �dc�• �t?,,w'�•�{'t'�r �' ';�c 6.�; �•'.s;t}t,: �' �:ti '.
�{� :tin�r.5,�;f:' � �.t+•. � ��� ��,xtr:�,Ly►'�"' � �'. .fib' J�� + ►
��, t .t h +;�k�,; 1. • 't
} �: r- ..`sue •K, �:'! tt . '.5,� -1��;• ��' �,, Ia ;ti'• . � t
orua. t .=}4'
at
Men
t Mail,
+ r }` •.iitai�y„,:ar•,.•# T.��:r-
0.11
L 1�•�.�,��SFr FFs di,;r... � � � � i +� ;_�r,Y�,+iv t
�' ,lk� �� _��,-, Y'FVC�.�J' * 'C L'� � •cif Y",'�•' }' (i�S J ry � yyf�ill��� "�
1 .f� ' s•"'q''4l Y, ii,!'•" ..��� ♦}Y r •'Y ! r ti'++,� .�p.+$q��s•.!�- "* y 4
ff ts`` s- :H pM ,T.t -Y i ��.r t p -i'•�FC�` --� y•
• RI r'�E?�i1�•yi,.h J•' t-. � k! ��Y�• z a�fi Y.
1+ �. his.;•
JL
••�•' w 'E': 'C'.'S:n�ir�,R�ii y��i nc",r� 1 -f„ .nl:w,t- '1
! ems. ,r ���'x'''c �. �'"s'-ti ��� .�e•�`T�.�"• 1
{
w '
t 4 r
t ;a��t�.J-•'.�' 'N�``�,'-ram ,��, ,;,
f y
t...i� .► 4. .t t�: r
i� r yy� •� �f � `'�
w y
wt KM
;emsRt,
WAM
:j' R � „�r�c tom` 1,, �• �"r Tl.
t .
F �•.M� ITT+,_. 71` PV
�`�Y,',���k" ,�', �1�'� � �"+ �t+l,+ia�'x���' •J� +� ; �• is .�' �.
'� ,j •tom •�••' � � t�` • L..iT � � -
s � T
,�y. x., y.ram �,J ,,�r�• a+,r•,.•,.,y� r �� a.� '�'"'.�ff? e�
A
Rol, . rr �'. .� ��:, �j.•^
.• �J' � k+ v h.t�+•1�',4 -.�} e r C �•�L �I .off ++7�S
Wl
it
t;Ci''} � �'ti'.�"�r•.i �yvl 2 r�� }� �„ � r .far py. �•.
i � '•' :� 1�Sw df .1•, tL � �� `Yi+T•.�R N.�y '~ yfi
��'�}"�,w'�}„'jti'4ftt�<.,r}�r���a�t• ;`�•� %'1'.B�.j'.��f ,K �! �.`°�'ils-J:i�.r±�.�.�# idi�ar•�<r� s:
*-. N�_� `���� '�, 't4 r .�.' •wh j ra �"�*" , 'i
t��` ��y.,,tf w• ,�7 � 't?�'� r� F ..'.�,1. 1 ... �vJ�T�� = r =:
q'��' 14 �� }>:. 5 ,r -�Ne. �4vM?i' .'•-L_ .rWitf
w
�+` -I .�•yt L I '4�p+•s� ,� y _T � �r4`
G' y r J 'f�r Klln
AL
tl
oL
1 Nr � �� '�f►.:i � �^✓��C 1'�{R a t�ifr r' ���I:
4
.� -1�.� �ylc 1J��+P� rr 't¢�Y �� .f♦ I+'s'1✓ r-
.vS��,lJ,�;�{�+�7'Sr.�.l;'��;}l�r�,'•L;,�•,�c�pry�% ���. IMZy'ti ; r I ,a`�•.y � �,
+1+j� frf 1 -�;�,�� �-, w, �h '��•,� r`(p�*.�t{�`y��.;*`��`_•� �s��.3'�1.
�•'7. �.T,�r i J3 1
_ � •`~(�'. •'FT+id'at'K>:;Ti•'iti•{.%✓.�•+� ,i43'rQ'�,.":.:,Z',f7�' .?S"•F -
ra +»>. a ,f • D•ct7s'1�'�r,,w•��F��et„ •' 'i �` '<
T � r f{tl�w • � r��"�. ,a•� ^�• rG'1Yt^,�F}is .�Yy�;Yti'�ik"'l {��YY�R•,�i{�` a .
! ( ,r••+��+, r'rn�'�, t ..`1;S t. J' :r 1}.�,� )""i}����I.�r*/�• �a��f '��{��_t ,wt� �t
y�: ;�•ur �fi �1 �1 -1 y����w rt F.`��tr}�,t��ii.'� �'a �wt nr.M���. .r•....
ti f t .1�.p"t' oA.• •! ;.G's�f.1.`y�r'`�^ 7..�♦�j, ♦ .j '`;..I►r'°'
y ,� ;r.• •� 'a'i'iz�►�} at s i '.a k a %ski"�-. ? r, ti•ir.
4.1
gig
4 fi ti+RX• .t'. v ri �'¢�igL,,3"�1r.cr�•)`. ^�, { ..tr.�`t��t•.y�Ys'-, �t.�.
I�♦ Jf,y-S1M1^ I rG :5, �'f.j'FF � c1� 111
' �"ryr�a-[,# .;,,a,yF ;pi '+'..ti 4.'`yf'il�:�,4�`. t r «�"`49 .;L + .•
`!t �' tT 17 i' +vii� n�� ` r ♦ry �{+� ri{a rya
rF�y ]y��, 2. 'J v-s. iPF. -♦� ..Jrppp]' '✓-teih•'�dl'. .8 �`tJ�,�!'
,jy�+ti^''YN+L r+a � ,�, y /���_.�,��.s�N,.l �y� - •!•�T. �._ W'�:��N�+. tt'-•r
�t .r•,.• :►. ���� � ;���. �'t♦ �► .�++<�,max+-" •�,: ���,�� r.
1
i i?'L.ar: r�'y'�T, Stey�, -A y �.. • C,y'T �a1(,P_l:w �i•�thr� y
F *[ tr.�•' y.�K � �+li+ y:v s *d y 4 i 14 r�i,:-ter �,'rw• �� tl:s• S•a.'h�iLt
i r��"d���� ►1 'X`t�i�*i�y�TT X �Y' t,t +xri'��,1 ` � � �r?�,i9'��Si 'y�`
.A
tR ., �,c1✓i�i. S° '�t %R,r� r l:�nor•d ��"1'�.;At .lF:i:'rYrra.r,. �r,'r1•. ,
e
l
} t
!� ♦ QJ'S'A. ,M, ar �R�1 i�:!� .+'rr. .' 1•���3���!Sy'4 t1= }r�� + Y-t � � '� � ,
.114, ,aT����RL i-i<Y'';+i + ✓y� .ti t'�-a 3����'
• ..n ('�'�}[...".rM1, SAS {t L�'hS + �'�- �-!<'�� �,�� �Y+h+1�ti•� ��lfa� fN.
Pi�•.�• wi. Ski ��r Yh'��T _ to ��a �, 4:�. y.xj�-i•
F •:X.. r�1S..S&t.( ��,.itr?�ti:'� ie i y4 TM�..�1�* �r`-
16 I'll
�� ..: _ ''n�.�i'••iv r t1ySt rvt>,•yri�5} ,,,�' i;� ►°r �,�� 'iJ>xs,'� ,�it
1 �•�..i.- �,F'fyF ��` 1 11��_fv1t., '[i�1 f�iwr�s �! ' { +
;• �•` 'r'y3i'a r .1�
v ]I'',lY �s f,,• ,T3SgS 1,• a` Sa. ';4•• hi .ly.♦ .Fria►,� 1
1 of� '7�' •f+iy r j�S < ;j us,
175 ?r !27fe'
f � ��'"'� ~�'J 'CMI,' l• art ' J .yiy:: j •C4yT^��tyni `h. �1 .}a•}, '
*�.li' �Ft•r" ' r' 3• ,{' ci,`, +h
Jk�+4=!�1,.I4'j
�_ N.F•��S��j +i;,�+'
t;1 % i ��"�. e � r < o , i t 'r'r►ri' y �f�t i `'i
���r�lXt'♦--��t7"�-4r4f <'r•'jl��� '� °.'i;C7•- ti � -t+.• 'a,�n•+ • +h9! x♦ ,"�`, �l T. •�.
.j�'31`�i�flr?♦F�;+r.'„9`;4�,�•�i`.3��'�1.�.,L����•i���'rY1" ' } ; u'J ;I�' •T• " r r•r
Y I",br�t� ++•^�,� '�M1Y„��'. 1 �°`y�l�j ie+,'���jyrP�•-i i.' + r����,`r��," a"�'• J �fi'
t.a,• 1'.'w,JAN";•'t_
CT
Sir t.R Sa q�'�� '• .NJ•�.r _zP/y +'r a r' �'i:,t'jSjr r_'' '.�i•sr�>.{ �� �1''•
k: xxv
tl �` - ! •MTh«.ay„ t V� ,�yt,�•Lk
ice
... .•,c:#..: '.-,� Aw snt.Ir:'{ �-S are .�' .S�'
.� �• ""��� � �� w _� �.+� An. >��f 1�� ��� �.� by
it -' X,� '� - � +�i� �' '►�'�1',�*,
� *ti►�}ratr A!{. ht�rkf; �ttr��t A �.�a► y,�,M�r''' '+ •.
may■ �4 • iir•'�•�i �i,'F '. (' w{.'.Uf__�
1��'y7 S4r�- ,tyro .+tltA ••._' + r 4 :.i'�T�tY w r r
-r ;#5k ,, � �•.!7.7ttnT��+ ��• ��� �lrlj" " r. A.-
'�. Y;', .�t� 'tS'�t=3F./_� � ,�'1.,jL•s � �� ,'k> ��`��` i� s. •r.f
.,M1�,tic�c * � a Aa^ 4':z�.s�Ta! �� °QT ,�.� r7�'-�''+. t� •:
• +4 ,�'� irk
r
a 5 Cr •.� ti "k�i t. 77
1• �E•a J1G�f Y• �1I ,�,t.
';:� •j 'Ci w1: 1
-- ��`=r��•S�w r` MKS'-"s_5•�';�ljs��Fr 'R °
i•A o 4 t)t' ,,i,� 'qqy�• ..
'• ,as� Ss•� ; 'f a
vie".y�1*4 yyett ;
.�•'{.� 'R'�a�' '� r i.r *fir• �,.�.♦Ce���•-��V; ;, et I
�§
W V.
�
7fit, �r«.
IC
`�F rL f-x:viR"+r •',t `y�►:� ?,�Lti ,}iV fi.Kiffif
r. iy�r 'V!"'A"J R' ,A •+
•rf�j� '��� r.:..� •L�. �. �� •mow i'l..,? _+x ��._. �� Ti.,�' �Z�
41
f
r �' R.7f �f. i�rpt^�s�7•' .r .�'� �•♦+•:�r2r!."X i:: ij•�yr fiytt , f+0....
i� {d �•.ic�i'�i•: w�'•sf. r f%r�s !�r �d �.j,3 M,411 ��r*` +'►. .
.ak fr �r'_ ' "�♦.�� 7ir4- '�♦i4~l�♦•,r�.°x'�TMLJ/'+i-r�.crFtv♦ 2ilk-
Am .i11i11`r�` r �• 3...r.�:�,7�j,fSt_ .i srn�^'�t'�`t }L',i;?s'•..z�lo•',r4-♦x'
T
^,
{ �,rf l.f,;��;�i.��,�i4*x :Sf.'7 S't tsa 1 S ',v.'t ^ ♦�. Y�rr, :S,s_•�rY,'♦i
�G�l�l'�YVi����L.,; I`• ��` 7[ � � r",L •�r, �° •1ij�;j1+�•4A.�f��.♦•.�'Y'
S}r!'0�.,4.y •��•' I/ _r� Y i� .`• �r .�,1}y,`y�'r �`1ntW>�.� ,Y}r�ttf,"J..•
I�1 IF .� !. :.•C`Jsj�•�i'' A � •i"�'.IT'tirw
I-jeftQm��q
?xr�s� ejyrr', sx
a
r.lx,.� i�y_2�ia: Y f.° =+.1 �7tq► ',S�yti";v -.t � �
ji
:. .a Y�,/ rc� S�rF�C �ti �Jr•�A,i,�7 �r [ay
NZY
On Sr y
t , h ^�' ��. g-:4 A �/r r E'Jr,.l � -- Tr. � 1F '^ � Sri(♦. 7 Xy a
`�`� i+1�♦ h'*'� rN.!:+�4s.�+�t-r [ .ts�4 ii`y t;L��'r. �t.•''4 '��{„s r ��2�f .'i� t••ai�i �•
�rsr���' '�'T, r � �M:��.t�jF�'['""i�.u-ci3'r•��YLa�'.j?!{# ���'�� f�xF r 1 r4�x��f�irak 1 , i�fi.
tap
17
��A(�t4+..f ;'� � }(•i'�y���"^r�FS•- �i���� ,� ��� ���IfT*t �",�"/3���1��!!'!',+��'t��fl�sr L A�.
'�y1
�SY �� }���"�LM Y,mil • j...:� ' �.;�'.r �•, Y �
:� �t'�il'ee?I 'SSl f fr .�Ir�,r� �� 1 �t�•'♦,a� ,k4 ' Myc�.q nC
y i,,,ttt���" q'• iF•.:�r,'�• .�fa, ��}i" ,k"�^ +41rt
1•te�r)r.� ._}tr� .. f.r�-�2{{ .l �f "r.1V � ♦
a .r �x �L{. .�,�, t . wayyl•4"�`7y, rr.
_ �+C r �i• j'',f�"71� r yy
�.3 �w �•:r � -1r.�..{�F ir'��+C�{•1� J:.� I 17 i�( �� .� � �4 a
r� .at �f k,��F {y;t+.: f, *JJ =Ili. ,•.r"'}{:�1 „�.r�,.r
t 'P4{i;1•Se+ C. - r -.:� Till'''
a • ..4 ^ ,}4 F�f �i',_i•".Lt .*•p■Trrl.,}♦,�.iI��F�.•�it.. ,��y�.•Fr
±�=l�� l y� � [i i��•y } �3 J..:41f.'_ y�`�'i �»��`l,'1js� - 7ili',r�4.
IP
�� .t`t�,, �`� snvy,� �'� rT ''�Y. t �i. T '�*'�r�•�fk•� '61f�f��
fwAt; CSr y; �S�
} ♦ •r`�'t" try ti.Ffy y.' .1`
IF' sl aft -
-.� ��`•R•7, -;f� : 1�.tI 2tr„� "y 4yiy�j� Nr '4�7.�.rr�